In this study I wanted to capture the personality and style of both Mariela Moodie the artist as well as the persona.
All marks are minimalist in their design yet this is achieved without sacrificing originality and style. Each one tells a slightly different story, highlighting different elements of Mariela’s style and personality. Color palettes are indicative and can be refined further, however I am satisfied with the results as presented.
The first concept is influenced by the Caribbean colors and art dear to Mariela, using bold colors and shapes to create a monogram which is playful and bold. The second concept is provocative, with the pursed lips as a red hearth with the M as a central element of the design. The third is the most ethereal and abstract, using three triangles and a n absent fourth one to create a wonderful tension as the M is not immediately discovered by the viewer.
To me each mark has its distinct character, offering enormous creative potential for use in both brand communications as well as in merchandising applications.
Their versatility can be easily understood just by imagining a wide variety of applications. I sincerely hope that you will be as excited with them as I am after designing them for you.
My family from my mother’s side has acquired farmland by way of cattle trading, an activity my great-grandfather pursued over a century ago with a good degree of success. Fast-forward to today my mother’s farm “Canestrello” is celebrating its 100 years anniversary, which is a milestone we wanted to celebrate with something special considering the fact no one of us will be present the next time the century turns over.
Canestrello and its surrounding areas have been known for their durum wheat (the bread and pasta making cereal to be clear) for centuries, this tradition has been maintained through our family’s history and is a source of pride to the present day.
The idea was simple and ambitious at the same time, turning a portion of our durum wheat into pasta to celebrate this beautiful crop which has defined our family and Italy too as pasta and pizza conquered the world. At face value this proposition seemed quite reasonable, that is if you don’t consider that given the type of product a “limited” production would require four metric tons of raw material to be transformed into roughly two metric tons of high-quality “artisanal” pasta. Some kind of family project, definitely up there with a kitchen remodel.
On my end I would contribute marketing, branding, and communications, which are my areas of competence, by building the brand from the ground up starting only with a name and a geographic location.
The project began with a qualitative and quantitative market survey that I developed with Survey Monkey. The objective was to investigate attitudes towards “artisanal” pasta—a small batch gourmet version of the product we are used to consume in its industrial form via commercial brands such as Barilla, De Cecco, or whatever your supermarket carries—as well as the types of shapes people favored in what I referred to as the Hit Parade of pasta. A mailing list was generated via Mail Chimp within our family and friends to create a pool of prospective customers, contact was made, the questionnaires disseminated, and soon enough we had a snapshot of what roughly 250 people thought about our idea. Not only the survey gave us an understanding of the attitudes regarding “artisanal” pasta, but it also informed our decision of what types of pasta (remember we are producing two tons of the stuff) and in which quantities we were going to produce it.
My sisters tackled all productions aspects, stuff like moving truckloads of wheat, finding the mill, and ultimately finding the pasta maker that would accept such a small order, since two tons in the pasta business is considered somewhat of a test production.
On my end I had to design the logo, develop a brand identity, including a package that had to be produced into two separate sizes, one for long and one for short pasta. As expected a Website to present the initiative had to be created together with some labels and a few other corporate identity materials
Logo design – final
Logo design – with tagline
Box Package – short pasta
Box Package – long pasta
Box Package – long pasta
Flyer leavebehind – front
Flyer leavebehind – back
Website – homepage
Website – history page
Website – product page
Website – catalog page
Moving forward we will simplify the packaging to control cost, likely we will move to a labeling system to go over the cellophane bag, eliminating the cardboard box altogether. Hopefully this solution is not only cost-effective but also more eco-friendly as well.
Packaging label only solution
Packaging label – light
Packaging label mockup – light
Packaging label mockup – light with product information
This project is the typical startup story, an idea around which a whole brand needed to be invented. The idea was looking to improve on the successful coffee retail chains, not just a lounge with free WiFi, but by adding an art gallery and performance space to turn the space in a multi-discipline gathering place that could feed all the senses.
The first item of the list was naming, a simple catchy name that would immediately create a link between coffee and art, quite a challenge given the complexity of the concept and the fact that gourmet coffee was already a congested segment. The first name we proposed was “SMART – Art so fresh it’s never seen a museum”. Like SWATCH but with the added value that SMART also made the conceptual tie with art from young (inexpensive) artist. Art that is freshly made, like a good coffee, not something you’d see hanging in a museum. This meant art accessible to everyone, not just to the affluent collectors, what a perfect name! SMART.
To our bewilderment the client didn’t feel the name captured the essence of their concept, so back to the drawing board, feeling your best idea had just succumbed.
After a taking a break and resetting our creative clock we developed CANVAS Café and Gallery, to identify the space as place were interests, passions, lives combined to create. The space were all of this was to happen had to be aptly called THE CANVAS, and it stuck. The name was chosen.
Being a “concept” much of the brand identity was developed fairly quickly and without the opportunity of further refinements, also everything was on a shoestring budget, which never helps.
The client tried to develop the concept into a franchise and sadly after several years of operations the project was wound down.
Through the years The Canvas became an anchor for neighborhood activities in the University district of San Francisco, with many loyal customers and hosting well attended art openings, music concerts, and poetry readings. I remember reading many posts from longtime clients that were bemoaning the loss of one of their favorite hangouts.
The project came to be by way of a Milan agency that was looking for proposals for the rebranding of an Italian radio station popular for their pop music appeal.
Conceptually I wanted to highlight the eclectic appeal of the station, so the logo tagline for the presentation was as follows: Radio KissKiss, tutti i colori della musica. Which in Italian means: Radio KissKiss, all the colors of music. Which to me created a strong visual connection between sight and sound, given that a radio is not a visual medium.
The idea was to invert the second “Kiss” making it a mirror reading, opening the possibility of making the brand legible from different viewing angles. In doing so I was thinking of how the logo would work on stickers, an item very popular when merchandising for teenagers at sponsored events.
To present the concept I worked with the team to put together a small music video, we were dealing with music after all. The clip is made using stock footage we had, adding several elements in After Effects to complete the piece.
Bright Dental is a network of dental offices in the Los Angeles metropolitan area. The objective was to rebrand the group bringing all the individual offices under a common visual standard, integrating and standardizing several patient forms and communications to simplify management and operations.
Ethos Factory has developed several aspects of the new brand identity, here are some categories of the work we produced:
Corporate Identity Logo; Stationery; Patient forms
This identity study is for a Swiss-based dietary supplements company. During the development phase we narrowed the viable marks to three distinct marks, as it often happens the client choice didn’t coincide with our preference however here are both solutions. See which one is your favorite.
Briefing:To develop an identity that would convey the company’s scientific approach and solid research, also setting it apart from other competitors in the supplements segment which are often less sophisticated in their branding approach.
Objective:To create an identity that would be perceived as trustworthy as a pharmaceutical product from and as an established brand.
Creative line: Beaker
Creative line: Elements
This logo has such a wonderful potential when it comes to animation that I thought it would be fun to see it animated as a .GIF
As a teenager I discovered the work of Maurits Cornelis Escher, which left in me an indelible impression. Symmetry and perspective seemed to have no secrets for the Dutch master, who molded them to achieve stunning visuals. In developing a new logo for Ethos Factory, I was inspired by his work as well and the marble inlays found in renaissance churches and palaces found throughout Italy.